The subculture of Goths has given birth to many movies in the history of cinema. The Goths have always been people and culture of immense mystique; many times, the subject matter is so intense that movies become cults just due to the myth surrounding Gothic culture. The Mask of Satan is one movie falling under the umbrella of Gothic cinema, yet it is not just an extension in the long inventory of Goth movies. The Mask of Satan exhibits numerous issues, and lying at the heart of this classic is a benchmark movie in the history of European Cinema. The movie prizes this accolade not just for its innovative splendor, but also as part of film literature and history—a landmark.
The movie is set in the mid-1800s in Moldavia—split between Romania and the Republic of Moldova. With a gap of two centuries distinguishing the events in the movie, the story begins at Moldavia in the 17th Century—around 1630 C.E.—when Moldavia existed as an autonomous state in Eastern Europe. Subsequently, the world of this movie falls during the Renaissance Movement laying at the tail end of the Metaphysical Era. The prevailing action of this era, therefore, saw the great revival of art, culture, history, and philosophy along with the beginning of scientific observation, Positivism.
The milieu of La Maschera del Dominio is the highly cursed system of witch burnings and killings that was rampant in Europe in the High and Late parts of the Middle Age up until the Age of Enlightenment, and beyond—but to a lesser extent. During this era, Catholic Churches were the all-powerful institution in much of Europe using their might to eliminate women practicing witchcraft, an art that was unethical, immoral, and sinful. The dreaded devil worshipping is the central theme of this movie, and the Catholic/Religious bans on devil worshipping and the consequent punishment gives Black Sunday its platform to launch a stellar story much in conjunction with European practices in the Middle Ages. These historical facts blend into the drama built through the movie and the result is one gripping horror of myth, reality, history, and calamity.
Coming from Italian Filmmaker, many call him the pioneer of the Giallo movement, Mario Bava, Black Sunday is a pioneering horror movie that uses innovative camera techniques, lighting, and shooting style. The camera movements and the unvoiced focus on each character enhance the story in muted rituality—without the need for exposition and active conflict. In fact, the way of filming underlines passive conflict and gives power to showing than telling. The setting of the movie, Gothic art, etiquette, and infrastructure, paints a visual a tone of grandeur that Mario Bava captures with his unique way of filming.
The core story kick starts with a session of accidents and coincident that sways Dr. Andre Gorobec (John Richardson) to Moldavia with his senior, Dr. Thomas Kruvajan (Andrea Checchi)—on their way to St. Petersburg in Russia. Various conditions turn this pair to the dreaded spot with a witch’s legacy hovering for two centuries. While touring across the Chapel of Sacrifice, Andre comes across the central character of the story, the elegant Princess Katia Vajda (Barbara Steele). Here in this moment of eons, the horror begins promising to revive an ancient curse and destroy Katia and her family. The tale is all about the great revival, the power of faith, and the tragedy of life.
The pace is brooding and the movie claps onto you. Flowing in its mystical charm, without hiccups, the best compliment for the movie would be that you do not realize the passing of time at all. It’s engrossing and a wonderful display of visuals and arts amalgamated with terrific shots, simplistic storytelling, and dynamic characters. Black Sunday is an archetypical Gothic drama not just for the style, but also for the masterful execution and dramatic development of a classic witch story.
For the luxurious revelations of European Cultural Revolution, Mask of Satan is a movie rich in exhibition, intense in dramatization, natural in recitation, formidable in portrayals, and splendid in direction. The movie is not just a display of horrific events but also a revelation of the myths and symbols of witchcraft; a bonanza for everybody interested in investing their time in cinema.