Listening to Shraddha Kapoor’s loud chatter five minutes into the movie, one feels like cringing—something too melodramatic and uncompromising to all senses of the body. As Aisha (played by Shraddha) prattles on and on about the innate goodness in human beings, the typical bubbly, girl-next-door persona, an uber incarnation of a good-hearted and joyous personality riddled in her own grief comes to the fore, viewers realize that this is yet another rehash of a typical Bollywood heroine. By this time, we’re already in the flashback taking us to an episode in Goa when our heroine finally meets her villain, or hero—or perhaps just a human being whom she wishes to save played by Sidharth Malhotra (as Guru).
Amidst all the melodrama, the movie treads a routine path, albeit following a non-linear approach, but as the slogan of the movie reads, “Every love story has a villain,” this love story has plenty. The story reveals about Shraddha’s fatal condition. The audiences realizing that she is on borrowed time dying from cancer it seems—something that’s completely left to the viewer to decipher.
Taking a page off countless medically doomed love stories and of course the plot being a watered-down version of I See The Devil (2010), Mohit Suri packs this movie with some tight scenes and solid story progression amidst a rather poorly constructed plot and underdeveloped motives, ultimately, standing as a movie somewhere in between good and poor.
Ritesh Deshmukh as the psychotic serial killer, Rakesh Mahadkar, is one fine showing and a deviation from what he usually portrays on the screen. Showing his restrained, twisted, and manipulative self, Ritesh is excellent as the meek family man—who loves killing for a hobby—and devastatingly creepy as the man under the raincoat, when he takes the avatar of a killer. This is arguably the deepest point of the movie, yet the manner in which Rakesh’s leisure collides with the juggernaut called Guru is rather predictable and when that happens, it doesn’t entice the viewer into feeling what the director would want viewers to feel. Mohit Suri tries to use the cause-effect relationship and is partly successful in doing so. The problem lies in the unconvincing revenge drama more so than the overtly Bollywood-ish romantic saga.
Shraddha Kapoor has a strong screen presence and whenever she’s on the screen, it’s a delight. Her loud acting in the opening sequences and prolixity apart, Shraddha is okay in her role of the goody, good princess who finds her prince charming in the unlikely goon, the angry young man, Guru. Sidharth Malhotra was better than he was in Student of the Year (2012), and even though, he looks like a clear-cut model for men’s inner wear than the badass shown in the movie, not his fault to be honest, he deliverers a decent performance.
The various analogies and tidbits Suri uses in the movie calls for a smart sense of detail like the first marriage in the Church between an old couple—where Guru starts developing feelings for Aisha—becomes the holy ground where Guru realizes his path towards redemption. The scene between Rakesh and our very own Kamaal Rashid Khan (as Brijesh) shows Rakesh minutely observing the reaction of Brijesh’s wife to the outburst of her husband, expecting some sort of reaction, giving us a glance into Rakesh’s mentality and his loathing for women who blabber too much, except his beloved wife played by Aamna Sharif.
Despite all the inspirations, Ek Villain is a movie that could have been a classic thriller if Suri had created meaningful semblance between the two parallel layers of the movie. It’s still a decent watch and many would perhaps enjoy it. It has the Mohit Suri ingredients, which has resulted in many box-office successes for him over the years. As a movie though, Ek Villain rides high on the performance of Ritesh Deshmukh, the inspirational quotes of inspiring personalities, and the evolution of Guru—from a ruthless killer to a devoted messiah. The final scene of the movie is a beautiful gesture and when the ending is spot on, it’s hard not to come out vindicated.
Don’t go in with high expectations. It’s a typical (hence, imbalanced) Suri flick, but with excellent music and a strong performance by the antagonist (Ritesh Deskhmukh). The story is passable, the revenge drama not quite so.